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Click image to view: Hito Steyerl, How Not to be Seen: A Fucking Didactic Educational .MOV File, (2013).


Art Criticism



Araeen, R. (2010) Art Beyond Art: Ecoaesthetics: A Manifesto for the 21st Century. London: Third Text Publications.

Brett, G. (2004) Carnival of Perception: Selected Writings on Art. London: Iniva.

Deepwell, K. (1998) Art Criticism and Africa. London: Saffron Books.

Fisher, J. ed. (2003) Vampire in the Text: Narratives in Contemporary Art. London: Iniva.

Foster, H. (2015) Bad New Days: Art, Criticism, Emergency. London: Verso.

Foster, H. (2014) ‘Organs of the Outlandish: Contemporary Art and Mimetic Excess’

Camberwell College of Arts Practitioner-in‐Residence lecture video:


Harland, B. & Manghani, S. (2015) Painting: Critical and Primary Sources. London: Bloomsbury Academic.

Krauss, R. (2011) Under Blue Cup. London: MIT Press.

Laing, O (2020) Funny Weather: Art in an Emergency. London: Picador


Lippard, L. Changing: On Not being an Art “Critic”, the sixth annual AICA-USA Distinguished Critic Lecture at The New School, New York

Overton, T. (2017) Portraits: John Berger on Artists. London: Verso.

Owens, C. (1992) Beyond Recognition: Representation, Power & Culture. California: California

University Press.

Reilly, M. (2015) Women Artists. The Linda Nochlin Reader. London: Thames and Hudson.

Schwabsky, B. (2016) The Perpetual Guest: Art in the Unfinished Present. London: Verso.

Steyerl, H. (2012) The Wretched of the Screen. New York: Sternberg Press.

Steyerl, H. (2017) Duty Free: Art in the Age of Planetary Civil War. London: Verso.

Storr, R. (2017) Interviews on Art. London: HENI Publishing.

Walsh, M. & Throp, M. (2015) Twenty Years of MAKE Magazine: Back to the Future of Women’s Art. London: I. B. Tauris.


Welchman, J. C. (2003) Mike Kelley. Foul Perfection: Essays and Criticism. London: MIT Press.

Whiteley. N. (2012) Art and Pluralism: Lawrence Alloway’s Cultural Criticism. Liverpool: Liverpool University Press.

Yil, L. (2018) Dynamics of Expansion and Reduction: Selected Writings on Korean Contemporary Art. Dijon. Les presses du réel.


Cover image:

Courtesan (2013)

Amanda Millis

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