Cultural debates
Ahmed, S. (2017) Living a Feminist Life. Durham: Duke University Press.
Anderson, B. (2016) Imagined Communities: Reflections on the Origin and Spread of Nationalism. London: Verso.
Andrews, K. (2018) Back to Black: retelling Black Radicalism for the 21st Century (Blackness in Britain). London: Zed books.
Araeen, R., Cubitt, S. & Sardar, Z. (2002) The Third Text Reader: On Art, Culture and Theory. London: Bloomsbury.
Attali, J. (1977) Noise: The Political Economy of Music. Minneapolis: University of Minnesota Press.
https://monoskop.org/images/6/67/Attali_Jacques_Noise_The_Political_Economy_of_Music.pdf
Baddeley, O. (1989) Drawing the Line: Art and Cultural Identity in Contemporary Latin America. London: Verso Books.
Bailey, D. A. & Tawadros, G. (2003) Veil: Veiling, Representation and Contemporary Art. London: Iniva in assoc. with Museum of Modern Art Oxford.
Barthes, R. (2009) Mythologies. London: Vintage Classic.
Barthes, R. (1977) Image, Music, Text. London: Fontana.
Berger, J. (2008) Ways of Seeing. London: Penguins Classics.
Bourriaud, N. (2005) Postproduction: Culture as Screenplay: How Art Reprograms the World. California: Ram Publications and Dist.
Chambers, E. (2016) Roots and Culture: Cultural Politics in the Making of Black Britain. London: I. B. Tauris.
Cole, T. (2016) Known and Strange Things: Essays. New York: Random House.
Coles, A. (2007) Design and Art. London: MIT Press.
Delaney, S. (1994) Silent Interviews: On Language, Race, Sex, Science Fiction and some Comics. Wesleyan University Press.
Demos, T. J. (2013) The Migrant Image: The Art and Politics of Documentary during Global Crisis. Durham: Duke University Press.
Encountering Difference in lens-based media - art symposium recordings Chelsea College of Arts 2018
https://soundcloud.com/ccw-graduate-school/sets/encountering-difference
English, D. (2019) To Describe a Life: Notes from the Intersection of Art and Race Terror. London: Yale University Press
Fanon, F (1986) Black Skin, White Masks. London: Pluto Press.
Gilroy, P. (2013) There Ain’t No Black in the Union Jack. London: Routledge.
Golden, T. (1995) Black Male: Representations of Masculinity in Contemporary American Art. New York: Harry N. Abrams.
hooks, bell (2001) all about love. New York: Harper Collins
Lewis, R. & Mills, S. (2003) Feminist Postcolonial Theory: A Reader. London: Routledge.
Litter, Jo. (2017) Against Meritocracy: Culture, Power and myths of mobility. London: Routledge.
Moten, F. (2003) In the Break: The Aesthetics of the Black Radical Tradition. Minnesota: Minnesota University Press.
Moten, F. & Harney, S. (2013) The Undercommons: Fugitive Planning & Black Study. New York: Autonomedia.
Perspectives on Race and Representation: An Evening with the Racial Imaginary Institute (panel discussion):
Ové, Z. (2019) Get Up Stand Up Now: Generations of Black Creative Pioneers. London: Somerset House
O’Sullivan, S., Gunkell, H. & Hameed, A. eds. (2017) Futures and Fictions. London: Repeater Books.
Phelan, P. (1993) Unmarked: The Politics of Performance. London: Routledge.
Phelan, P. (1997) Mourning Sex: Performing Public Memories. London: Routledge.
Soyinka, W. (2012) Of Africa. London: Yale University Press.
Stewart, S. (1992) On Longing: Narrative of the Miniature, the Gigantic, the Souvenir, the Collection. Durham: Duke University Press.
Wollen, P. (1993) Raiding the Icebox: Reflections on Twentieth Century Culture. London: Verso.
Edward Said interview on Orientalism. Director Sut Jhalley 1998.
https://www.youtube.com/watch?v=fVC8EYd_Z_g
Shades of Noir (SoN) google library