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Cultural debates



Ahmed, S. (2017) Living a Feminist Life. Durham: Duke University Press.


Anderson, B. (2016) Imagined Communities: Reflections on the Origin and Spread of Nationalism. London: Verso.


Andrews, K. (2018) Back to Black: retelling Black Radicalism for the 21st Century (Blackness in Britain). London: Zed books.


Araeen, R., Cubitt, S. & Sardar, Z. (2002) The Third Text Reader: On Art, Culture and Theory. London: Bloomsbury.


Attali, J. (1977) Noise: The Political Economy of Music. Minneapolis: University of Minnesota Press.


Baddeley, O. (1989) Drawing the Line: Art and Cultural Identity in Contemporary Latin America. London: Verso Books.


Bailey, D. A. & Tawadros, G. (2003) Veil: Veiling, Representation and Contemporary Art. London: Iniva in assoc. with Museum of Modern Art Oxford.


Barthes, R. (2009) Mythologies. London: Vintage Classic.


Barthes, R. (1977) Image, Music, Text. London: Fontana.


Berger, J. (2008) Ways of Seeing. London: Penguins Classics.


Bourriaud, N. (2005) Postproduction: Culture as Screenplay: How Art Reprograms the World. California: Ram Publications and Dist.


Chambers, E. (2016) Roots and Culture: Cultural Politics in the Making of Black Britain. London: I. B. Tauris.


Cole, T. (2016) Known and Strange Things: Essays. New York: Random House.


Coles, A. (2007) Design and Art. London: MIT Press.


Delaney, S.  (1994) Silent Interviews: On Language, Race, Sex, Science Fiction and some Comics. Wesleyan University Press.


Demos, T. J. (2013) The Migrant Image: The Art and Politics of Documentary during Global Crisis. Durham: Duke University Press.


Encountering Difference in lens-based media - art symposium recordings Chelsea College of Arts 2018

English, D. (2019) To Describe a Life: Notes from the Intersection of Art and Race Terror. London: Yale University Press


Fanon, F (1986) Black Skin, White Masks. London: Pluto Press.


Gilroy, P. (2013) There Ain’t No Black in the Union Jack. London: Routledge.


Golden, T. (1995) Black Male: Representations of Masculinity in Contemporary American Art. New York: Harry N. Abrams.


hooks, bell (2001) all about love. New York: Harper Collins


Lewis, R. & Mills, S. (2003) Feminist Postcolonial Theory: A Reader. London: Routledge.


Litter, Jo. (2017) Against Meritocracy: Culture, Power and myths of mobility. London: Routledge.


Moten, F. (2003) In the Break: The Aesthetics of the Black Radical Tradition. Minnesota: Minnesota University Press.


Moten, F. & Harney, S. (2013) The Undercommons: Fugitive Planning & Black Study. New York: Autonomedia.


Perspectives on Race and Representation: An Evening with the Racial Imaginary Institute (panel discussion):


Ové, Z. (2019) Get Up Stand Up Now: Generations of Black Creative Pioneers. London: Somerset House


O’Sullivan, S., Gunkell, H. & Hameed, A. eds. (2017) Futures and Fictions. London: Repeater Books.


Phelan, P. (1993) Unmarked: The Politics of Performance. London: Routledge.


Phelan, P. (1997) Mourning Sex: Performing Public Memories. London: Routledge.


Soyinka, W. (2012) Of Africa. London: Yale University Press.


Stewart, S. (1992) On Longing: Narrative of the Miniature, the Gigantic, the Souvenir, the Collection. Durham: Duke University Press.


Wollen, P. (1993) Raiding the Icebox: Reflections on Twentieth Century Culture. London: Verso.


Edward Said interview on Orientalism. Director Sut Jhalley 1998.


Shades of Noir (SoN) google library

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