top of page

I'm a paragraph. Click here to add your own text and edit me. It's easy.

Painting and related concerns


Aguirre, P., Azimi, N. & Cahsdan, M. eds. (2011) Vitamin P2: New Perspectives in Painting. London: Phaidon Press.


Betterton, R. (2003) Unframed: Politics and Practices of Women's Contemporary Painting. London: I.B. Tauris.


Bick, A., Parsons, J. & Pratt, K. (2018) The Order of Things. London: Everyday Press.


Blazwick, I. (2015) Adventures of the Black Square. London: Prestel.


Breitwieser, S. & Prestel, B. J. Prestel eds. (2015) Carolee Schneemann: Kinetic Painting. New York & London: Prestel.


Brett, G. ed. (1998) Aubrey Williams. London: Iniva.


Britt, D. & Obrist, H.-U. (1995) Gerhard Richter: The Daily Practice of Painting: Writings and Interviews 1962-1993. London: Thames and Hudson.


Clark, M., Shalgosky, S., Sturgis, D. eds. (2011) The Indiscipline of Painting. London: Tate Publishing.


Cooke, L. ed. (2012) Agnes Martin. London: Yale University Press.


Crippa, E. (2018) All Too Human: Bacon, Freud and a Century Panting from Life. London: Tate Publishing.


Crippa, E. (2019) Frank Bowling. London: Tate Publishing.


Crone, R. (1970) Warhol. London: Thames and Hudson.


Deleuze, G. (2005) Francis Bacon: The Logic of Sensation. London. Continuum.


Draxler, H. ‘Painting as Apparatus: Twelve Theses’ in Text Zur Kunst, March 2010, issue no. 77.


Elger, D., Obrist, H. U. (2009) Gerhard Richter – Text: Writings, Interviews and Letters 1961-2007. London: Thames and Hudson.


Elkins, J. (2000) What Painting Is. London: Routledge.


Friedel, H. (2007) Gerhard Richter: Atlas.  London: Thames and Hudson.

Gingeras, A. (2002) “Dear Painter, paint me…”: Painting the Figure since Late Picabia. Paris: Centre Pompidou.


Godfrey, T. (2014) Painting Today. London: Phaidon.


Graw, I. (2018) The Love of Painting: Genealogy of a Success Medium. New York: Sternberg Press.


Isabelle Graw: The Economy of Painting: Notes on the Vitality of a Success Medium. 2015.


Guston, P. (2010) Philip Guston: Collected Writings, Lectures and Conversations. California: California University Press.


Hafner, H.-J. & Reski, G. (2015) The Happy Fainting of Painting. London: Buchhandlung Walther Koenig.


Hochdorfe, A., Joselit, D. & Ammer, M. (2015) Painting 2.0: Expression in the Information Age. London: Prestel.


Hoptman, L. (2014) The Forever Now: Contemporary Painting in an Atemporal World. New York: The Museum of Modern Art.


Joselit, D. ‘Painting Beside Itself’ in October 130, Fall, 2009, pp. 125-134.


Lasker, J. (1998) Complete Essays 1984-1999. New York: Edgewise Press.


Koether, J. (2015) f. Berlin: Sternberg Press.


Mercer, K. ed. (2006) Discrepant Abstraction. London: Iniva & MIT Press.


Myers, T. (2011) Painting. London: MIT Press.


Obrist, H. U. (2018) BBC Radio 4: An Alternative History of Art: Ibrahim El-Salahi


Prendeville, B.  (2000) Realism in 20th Century Painting. London: Thames and Hudson.


Price, D. (2017) Re-Visit: Navigating Invisible Strategies – The Art of Lubaina Himid


Reinhardt, A.  (1992) Art as Art: The Selected Writings of Ad Reinhardt. California: University of California Press.


Riley, B.  (2009) The Eye's Mind: Bridget Riley: Collected Writings. London: Thames and Hudson.


Rowley, A. (2008) Helen Frankenthaler: Painting History, Writing Painting. London: I.B. Tauris.


Rugoff, R. (2007) The Painting of Modern Life: 1960s to Now. London: Hayward Publishing.


Schor, M. (1997) Wet: On Painting, Feminism and Art Culture. Durham: Duke University Press.


Schwabsky, B. & Luard, H. (2015) Tightrope Walk. London: White Cube, London, 2015.


Sylvester, D. ed. (1987) The Brutality of Fact: Interviews with Francis Bacon. London: Thames and Hudson.

Whitten, J. (2018) Notes from the Woodshed. London: Hauser and Wirth Publishers


Wood, C. (2013) A Bigger Splash: Painting after Performance. New York: Harry N. Abrams.

bottom of page