Performance

 

Backer, Y., Beckwith, N., Sirmans, F., Cassell Oliver, V., (2012) Radical Presence: Black Performance in Contemporary Art. Houston: Contemporary Arts Museum.

e-catalogue: https://issuu.com/thecamh/docs/2012_radical_presence

 

Baker, S and Loran, F (2016) Performing for the Camera. London: Tate Publishing

 

Cheng, M (2002) In Other Los Angeles: Multicentric Performance Art. California: University of California Press

 

Bryzgel, A. (2017) Performance Art in Eastern Europe Since 1960. Manchester: Manchester University Press.

 

Fusco, C (2001) The Bodies That Were Not Ours: And Other Writings. London: Routledge

 

Gaines, M. (2017) Black Performance on the Outskirts of the Left: A History of the Impossible. New York: NYU Press.

 

George, A, ed. (2003) Art, Lies and Videotape: Exposing Performance. Liverpool: Tate.

 

Goldberg, R. & Anderson, L. (2004) Performance: Live Art Since the 60s. London: Thames and Hudson.

 

Goldberg, R. (2011) Performance Art: From Futurism to the Present. London: Thames & Hudson.

 

Goldberg, R. (2018) Performance Now: Live Art for the Twenty-First Century London: Thames and Hudson.

Goldwater, H (2016) Glimpses of Before - Study Guide/Resource: 1970s UK-based Performance Art (Partners: LADA/Queen Mary, University of London) [online and attached to material in LADA’s Study Room]

http://1970s.thisisliveart.co.uk

 

Harris, J. eds. (2007) Dead History, Live Art? Spectacle, Subjectivity and Subversion in Visual Culture since the 1960s. Liverpool: Liverpool University Press.

 

Heathfield, A, ed. (2004) Live: Art and Performance. London: Tate.

 

Heddon, D and Klein, J, eds. (2012) Histories and Practices of Live Art. London: Palgrave MacMillan.

 

Hoffmann, J and Jonas, J (2005) Perform. London: Thames and Hudson.

 

Howell, A. & Bowman, J. (2015) Towards a Purposeful Accident: Elements of Performance Art via The Ting: The Theatre of Mistakes. Parse Journal/Symposia:

http://parsejournal.com/article/towards-a-purposeful-accident-elements-of-performance-art-via-the-ting-the-theatre-of-mistakes/

 

Kaprow, A (2003) Essays on the Blurring of Art and Life. California: University of California Press.

 

Keidan, L and Mitchell, CJ, eds. (2012) Access All Areas: Live Art and Disability. London: Live Art Development Agency.

 

Maude-Roxby, A (2007) Live Art on Camera: Performance and Photography. Southampton: John Hansard Gallery.

 

Moten, F. (2015) ‘Blackness and Nonperformance’ AFTERLIVES lecture MoMA video:

https://www.youtube.com/watch?v=G2leiFByIIg

 

O’Reilly, S. (2009) The Body in Contemporary Art. London: Thames and Hudson.

 

Pagnes, A (2010) The Fall of Faust: Considerations on Contemporary Art and Action. Florence: Vest and Page Press.

 

Vason, M (2015) Double Exposure. London: LADA/Intellect.

 

Vason M., Keidan L., Brine D., and Athey R. (2002) Exposures. London: Black Dog.

 

Yadong Hao, S. and Hearn, M. (2010) Notes on a Return. Sunderland: Art Editions North.

Rosemary Cronin, Three Dusty Springfields Having a Food Fight, March 2017