Histories of Art

 

 

Araeen, R. (1989) The Other Story: Afro-Asian Artists in Post-war Britain. London: Hayward Gallery.

 

Barlow, C. (2017) Queer British Art: 1867-1967. London: Tate Publishing.

 

Baucom, I. Boyce, S., Bailey, D. (2005) Shades of Black: Assembling Black Arts in 1980s Britain. North Carolina: Duke University Press in association with Iniva and African and Asian Visual Artists' Archive

 

Broude, N. & Garard, M. D. eds. (1982) Feminism and Art History: Questioning the Litany. Boulder, CO: Westview Press.

 

Broude, N. & Garard, M. D. eds. (1992) Expanding Discourse: Feminism and Art History. London: Harper Collins.

 

Broude, N. & Garard, M. D. (2005) Reclaiming Female Agency: Feminist Art History After Postmodernism. Oakland, CA.: University of California Press.

Burton, J. & Ellegood, A. (2014) Take it or Leave it: Institution, Image, Ideology. Los Angeles: Hammer Museum

Digitally catalogued at: https://hammer.ucla.edu/take-it-or-leave-it/artists/

 

Butt, G. (2005) Between You and Me: Queer Disclosures in the New York Art World. Durham: Duke University Press.

 

Chambers, E. (2014) Black British Artists in British Art: A History from 1950 to the Present. London: I. B. Tauris.

Cunningham, C. & Perry, G. (1999) Academies, Museums and Canons of Art. London: Yale University Press.

 

Dezeuze, A. (2016) Almost Nothing: Observations on precarious practices in contemporary art. Manchester: Manchester University Press.

 

Durant, S. (ed.) (2007) Black Panther: The Revolutionary Art of Emory Douglas. New York: Rizzoli.

 

Edwards, S. & Wood, P. (2013) Art and Visual Culture 1850-2010: Modernity to Globalisation. London: Tate Publishing.

English, D. (2016) 1971: A Year in the Life of Color. Chicago: University of Chicago Press

 

 - Darby English, Ph.D., on 1971, A Year in the Life of Color. A talk related to the book.

https://www.youtube.com/watch?v=kR2VY3CeMh4

 

Fer, B. (2000) On Abstract Art. London: Yale University Press.

 

Fer, B., (2004) The Infinite Line: Re-making Art After Modernism. London: Yale University Press.

 

Foster, H ed. The Anti-Aesthetic: Essays on Postmodern Culture. New York: The New Press.

 

Foster, Hal et al. (2004) Art since 1900: Modernism, Antimodernism, Postmodernism. London: Thames and Hudson.

 

Jones, C. A., (1999) The Machine in the Studio: Constructing the Postwar American Artist. Chicago: University of Chicago Press.

 

Keen, M. & Ward, L. (1996) Recordings: a select bibliography of contemporary African, Afro-Caribbean and Asian British art. London: Iniva. Digitised here:

https://issuu.com/artslondonlibraries/docs/recordings_-_a_select_bibliography_

 

Mercer, K. ed. (2008) Exiles, Diasporas and Strangers. London: Iniva & MIT Press.

 

Morris, C. (2018) We Wanted a Revolution: Black Radical Women, 1965-85: New Perspectives. Durham: Duke University Press.

 

Perry, G. (199) Gender & Art. London: Yale University Press.

 

Pollock, G. (2003) Vision & Difference: Feminism, Femininity and Histories of Art. London: Routledge.

 

Rhodes, C. (1994) Primitivism and Modern Art. London: Thames and Hudson.

 

Rhodes, C. (2000) Outsider Art: Spontaneous Alternatives. London: Thames and Hudson.

 

Taylor, B. (2014) After Constructivism. Yale: Yale University Press.

 

Zabunyan, E. (2004) Black is a Colour – A History of African American Art. Dijon: Les presses du reel.

 

De Zegher, C. (1996) Inside the Visible: Elliptical Traverse of Twentieth Century Art in, of and from the Feminine. London: MIT Press.

 

Women in Conceptual Art symposium recordings Chelsea College of Arts 2018

https://soundcloud.com/ccw-graduate-school/sets/symposium-women-in-conceptual

 

Why Were So Many Women Artists Excluded from the History of Abstract Expressionism? Podcast discussion with artist Judith Godwin, art historian Linda Nochlin & curator Karen Wilkin on the occasion of the exhibition Women of Abstract Expressionism (Denver Art Museum 2016)

https://hyperallergic.com/313450/why-were-so-many-women-excluded-from-the-history-of-abstract-expressionism/

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