From studio to gallery, museum and beyond
Amirsadeghi, H. & Eisler, M. (2012) Sanctuary: Britain’s Artists and their Studios. London: Thames and Hudson.
Crimp, D. (1995) On the Museums Ruins. London: MIT Press.
Doherty, C., (2004) From Studio to Situation. London: Black Dog Publishing.
Hoffman, J. (2010) The Studio (Documents of Contemporary Art). London: Whitechapel Gallery.
Jacob, Mary Jane (2010) The Studio Reader: On the Space of Artists. Chicago: University of Chicago Press.
Jakubowska, A. & Deepwell, K. eds. (2018) All-women art spaces in Europe in the long 1970s. Liverpool: Liverpool University Press.
O’Doherty, B. (2000) Inside the White Cube: The Ideology of the Gallery Space. Stanford: University of California Press.
O’Doherty, B. (2012) Studio and Cube: On the Relationship Between Where Art Is Made and Where Art is Displayed. New York: Princeton Architectural Press.
Putnam, J. (2009) Art and Artifact: The Museum as Medium (second edition). London: Thames and Hudson.
Steeds, L. (2014) ed. Exhibition. London: MIT PRESS/Whitechapel Art Gallery.
Storrie, C. (2007) The delirious museum - a journey from the Louvre to Las Vegas. London: I. B. Tauris.
Turner, Christopher, Bacon Dust. Cabinet Magazine. Fall 2009, issue 35. Also available at: http://cabinetmagazine.org/issues/35/turner.php
Francis Bacon's 7 Reece Mews Studio, London 1998. P Ogden